Literary Word Count Infographic: http://shortlist.com/entertainment/books/literary-word-count-infographic
one of my favorite things about the rivals-to-lovers trope is when one of them, at the beginning of their relationship, grumbles about how much they hate the other person’s awful face and i sort of cackle to myself like, oh man. you’re going to have it so bad. it’s going to be so great. you are going to love the CRAP out of that awful face. you’ll be composing delicious, pining, sappy sonnets about it. i love it.
Freddy The Fox by: [Rob Lee]Photographers note: "This brave fox wandered up on our porch. He's half cat, half dog, and all cute. When the fox first came for a visit we instantly named it "Freddy the Fox." But after we got to know it we found out Freddy is actually Frederica."
(You can still call Frederica “Freddy”!)
Persephone as a dark and off-putting goddess who worries her mother by hanging out with satyrs and making weird stuff like pitcher plants and Venus flytraps. Hades being charmed and intimidated all at once.
I lost it at the end.
Okay, I had to check out the Van Eyck thing. I was a bit in denial because, come on, every single person can’t look like President Putin!
There are no words to describe how wrong I was.
Reblogging this for my art history class this semester
The art historian in me had to reblog this.
“Hollywood has this psychology—there’s this whole plantation mentality where it’s all about power and someone trying to impose their values on you. It’s nuts, they’ll tell you how to tell stories about people they never really came into contact with. Executives, story readers, development executives don’t interact with people other than their kind so how would they know what’s acceptable to people of color? It is not about and never has been about supplying a diverse look at life. It is all from and for a white audience. And because of that fact this group of people who determines what the world sees have no idea, not a clue as to reality. It is a product of arrogance and power. Input from you is viewed as a personal attack. If you try to go beyond stereotypes and reflect real people who share the same concerns as everyone else, you’re told that your characters aren’t “black” enough, or to use more curse words because the language isn’t “real” enough. You have to have drugs and gangsters. Some person who saw To Sleep With Anger said, “I didn’t know that black people had washing machines!” Where did they get that notion? Well, it was an honest observation in a way because Hollywood shows us poor and grimy without any means of support except if you are a rapper or prostitute or selling drugs. They have this notion of what films should be, and what the realities of your environment are, and if you come up with what is real, that becomes unreal to them, in a sense. It’s important to tell your own story, and when you see other people telling your story, and [when] someone denies you your reality, and is telling you what your family and your grandmother are like—how outrageous can it get? You have to be able to tell your stories and share them with the rest of the world. How else are things supposed to change?”
- Charles Burnett